Jan 26-LOVE & EVIL; Feb 26-THE HELP; Mar 26-NEVER LET ME GO

January 26 - LOVE AND EVIL by anne rice (2010, 192 pages)
“I dreamed a dream of angels. I saw them and heard them in a great and endless galactic night. I saw the lights that were these angels, flying here and there, in streaks of irresistible brilliance . . . I felt love around me in this vast and seamless realm of sound and light . . . And something akin to sadness swept me up and mingled my very essence with the voices who sang, because the voices were singing of me . . . ”

Thus begins Anne Rice’s lyrical, haunting new novel, a metaphysical thriller of angels and assassins that once again summons up dark and dangerous worlds set in times past. Anne Rice takes us to other realms, this time to the world of fifteenth-century Rome, a city of domes and rooftop gardens, rising towers and crosses beneath an ever-shifting layer of clouds; familiar hills and tall pines . . . of Michelangelo and Raphael, of the Holy Inquisition and of Leo X, second son of a Medici, holding forth from the papal throne . . .
O’Dare soon discovers himself in the midst of dark plots and
counterplots surrounded by a darker and more dangerous threat as the veil of ecclesiastical terror closes in around him. As he embarks on a powerful journey of atonement, O’Dare is reconnected with his own past, with matters light and dark, fierce and tender, with the promise of salvation and with a deeper and richer vision of love.

February 26 -
THE HELP by kathryn stockett (2009, 464 pages)
Currently the One-Book-One-Denver selection
Three ordinary women are about to take one extraordinary step.
Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed. In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.


March 26 - NEVER LET ME GO by kazuo Ishiguro (2005, 302 pages)
The elegance of Ishiguro's prose and the pitch-perfect voice of his narrator conspire to usher readers convincingly into the remembered world of Hailsham, a British boarding school for special students. The reminiscence is told from the point of view of Kathy H., now 31, whose evocation of the sheltered estate's sunlit rolling hills, guardians, dormitories, and sports pavilions is imbued with undercurrents of muted tension and foreboding that presage a darker reality. As an adult, Kathy re-engages in lapsed friendships with classmates Ruth and Tommy, examining the details of their shared youth and revisiting with growing awareness the clues and anecdotal evidence apparent to them even as youngsters that they were different from everyone outside. Ishiguro conveys with exquisite sensitivity the emotional texture of the threesome's relationship, their bonds of personal loyalty that overcome fractures of trust, the palpable boundaries of hope, and the human capacity for forgiveness.

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